Princess Diaries: Princess Andre's New ITV2 Series
Star profile · Princess Andre's next chapter, on her own terms
Culture & Features Editor ·

There is a particular challenge facing anyone who grows up in the public eye: at some point, you have to stop being someone's child and start being yourself. Princess Diaries returns for a sparkling new series that puts exactly that transition at its centre, following Princess Andre as she navigates her move into adulthood and takes her first serious steps into a career of her own. And on the evidence of the show's performance so far, a great many people want to watch her do it.
The numbers make the case. The first two series were among ITV2's biggest hits outside of Love Island, and the show has been streamed over nine million times. For a young star's own vehicle, those are genuinely striking figures — evidence of a substantial and highly engaged audience, particularly among younger viewers, who have connected with Princess and her story. In an ITV2 landscape dominated by the villa, being the biggest thing outside it is no small feat.
The new series picks up at a pivotal moment. Where earlier runs introduced audiences to Princess's world, this one is explicitly about growth: the move into adulthood, the beginnings of a professional life, the shift from being known primarily as a famous family's daughter to being a public figure in her own right. That is a rich and relatable narrative spine. The specifics may be glamorous — the opportunities, the fashion, the visibility — but the underlying story of a young person figuring out who they are and what they want is universal.
That combination is precisely why the format works. Princess Diaries offers the aspirational, glossy lifestyle content that its audience enjoys — the glamour, the opportunities, the sparkle promised by the show's own framing — while grounding it in the genuinely relatable coming-of-age experience of leaving adolescence behind. Young viewers see a life more glamorous than their own, but a set of challenges and uncertainties that mirror theirs: independence, career choices, self-definition, the pressure of expectation.
The show also sits at an interesting intersection of celebrity and modern media. Princess belongs to a generation of young stars whose audiences follow them across platforms — television, social media, and everything in between — and Princess Diaries is designed with that fluidity in mind. Its strong streaming performance reflects how its audience actually consumes content: on demand, in bursts, and shared onward. That the show has been streamed over nine million times is as meaningful a metric as any overnight rating, and it explains ITV2's confidence in commissioning more.
There is a documentary-adjacent quality to the format that distinguishes it from the villa-and-competition end of the reality spectrum. There is no game, no prize, no elimination — just an ongoing portrait of a young woman's life at a formative moment. That gives it a warmer, more intimate register, closer to a docu-series than a game show, and it invites a different kind of investment from viewers: not "who will win?" but "how will she get on?" Audiences who have followed Princess across the first two series arrive already caring about the answer.
For the new run, expect the show to lean into that career-and-adulthood narrative. The move into adulthood promises new independence and new pressures; the early career steps promise ambition, setbacks and the occasional glamorous milestone. There will be the styling, the events and the aspirational lifestyle content that the show does well, and there will — if the format continues as it has — be the more grounded moments of doubt and decision that give it heart.
Part of what makes the show interesting culturally is its portrait of second-generation fame. Princess is navigating a landscape her parents' generation did not face: a fully social-media-native environment where public scrutiny is constant and where building a career means managing a personal brand as much as pursuing a craft. Watching a young person work out how to do that on her own terms, on camera, is a genuinely modern story, and Princess Diaries is well placed to tell it.
The show's success also says something about ITV2's broader strategy. Building a hit around a young personality with an existing following, and letting the show grow with her, is a smart way to cultivate loyalty in a demographic notoriously hard to reach through traditional broadcast. The streaming figures suggest it is working.
So the new series arrives with real momentum: a proven audience, strong streaming numbers, and a subject at exactly the age where the story naturally deepens. Whether or not you came to it as a fan, the premise is a sound one — a young woman stepping into adulthood and building something of her own, with the cameras along for the ride. Sparkling, yes. But underneath the shine, it is a coming-of-age story, and those never go out of fashion.
Filed under Reality TV · Written by Sophie Bennett



